That rains down from above,
While under the surface, spaces fill
Like a heart fills holes with love.
And after the drizzle has ended,
But before the impending winter chill,
The trees drink up the liquid,
Enriched before their world goes still.
My poems tend to find inspiration in nature, in music, and in trying to discover and understand our place in the universe. It's my hope that these words and ideas might have meaning for others. Perhaps, the creative process that flows through me may help to articulate fragments of a vision for how we might live in greater harmony with the world and with one another.
Where are you going tonight?
The woods are dark and obscure your sight.
The evening sprites, you say,
Tell stories that bite, too hard for day,
But worth being heard.
In the midnight glades, life’s shades of gray
Abound with every word,
But knowing you’re not alone will light your way.
Similar to last week, this poem was inspired by something musical - in this case, an entire musical instead of a single piece. I recently watched a recording of Stephen Sondheim's Into the Woods with the original Broadway cast, which I really enjoyed. When I was part of this musical in middle school, I enjoyed its humor, but I don't think that I fully appreciated its complex narrative themes and structure.
Gracefully, a swan goes sailing,
Stately, with her head held high,
Gliding like on liquid glass,
Lakeside forests passing by.
Glancing back, she wonders why
Watchers wait on shoreline grass,
Following her floating trail. She
Slowly spreads her wings to fly.
This poem's inspired by the classic cello piece "The Swan," which is part of Camille Saint-Saens' suite The Carnival of the Animals. Last year, I wrote an arrangement of the piece for four cellos (with one playing the melody and the other three providing an accompaniment that's a bit different from the normal piano accompaniment that Saint-Saens wrote). Once I'm back in the states, I'm hoping to start making and sharing some recordings of this and other musical stuff I've been working on.
Upon the starry pond, a lily pad
Shivers as the ripples travel by,
Created from the falling of the leaves
Floating now like flecks in liquid eye.
As tears well up within my windowed soul,
Silver waves enfold my weary feet,
Awaiting you beyond what dreams I meet
Beneath the stories falling from the sky.
Occasionally, I'll write a poem without a clear theme in mind. I'll just start with a line or a phrase, and let each line come out of the previous one. This poem was definitely like that, and I have to say that I'm still not sure of how exactly to interpret the final product. My thought, at this point, is that the second set of four lines relates to the first set - I correspond to the lily pad, being affected by the stories (leaves) falling from above, which inspire dreams of those close to me (ripples)...maybe.
Some say, when creation came, the days were dry,
As creatures from the sea first crawled to land.
The sun beat down and stung each squinting eye,
While vapor rose from trails of wetted sand.
Many were not yet ready to there abide,
Taken by dehydration, life threads waning.
So the sky cried for those who died,
Not knowing its tears would save the ones remaining.
This poem is sort of a made-up myth about how rain first came to be. Like most myths, I tried to have it speak to some universal truth or lesson. In this case, the idea is that hope can come out of failure and sadness, and what we learn can help us move forward.
Too young some souls are taken from our sight,
Too soon before the lungs of life have filled,
While we remain, it seems, to question why
Their beating hearts by chance or fate were stilled.
But who am I to say what time is right
Or understand the depths an angel delves?
Though maybe, searching, we, as new wings fly,
Remember what they taught us of ourselves.
This poem is about the sad circumstances when we lose those close to us, particularly when that loss happens sooner than we expect. While providing comfort for those remaining is paramount, the poem's words are more focused on thinking about how those people who've been lost might still be with us in some way, helping us to see how to move forward and better ourselves.
Selfless –
Lacking a self,
Without a self –
Is that truly what it means?
Perhaps not exactly,
For when you acted selflessly,
To be one on whom another leans,
That act defined the self you’ve come to be.
I thought this one might work well for Mother's Day. It began just by thinking about the word "selfless". If you compare with other words with a similar structure - say, "clueless" or "lifeless" - you might think it means something like "without a self" or "not having a self". But actually, I think it's more about recognizing, valuing, and loving the other "selves" in the world around you - and that becomes a defining feature of who you are. Of course, many parents do this all the time.
Caught, perhaps un poco paralyzed,
Across this space perceived as pure potential,
Where either pathway taken
Might bring adventures new and change essential.
A whisper then – “awaken” –
Faintly heard from somewhere up ahead,
Its true direction still disguised,
I step, to see which way my heart has led.
Just this past week, I made a pretty big decision - I decided to accept an offer from Syracuse University to be a teaching professor there in environmental engineering. I had offers from two schools, and it was an extremely difficult choice. I think both options were good, and I was leaning toward each one at different points in the process. To some extent, it just came down to what felt right in my heart. I wrote this poem a couple days later.
Some part of me is tied to part of you,
Wrapped up in all your rising rays of sun,
Dependent on the days your time has spun,
To wander through a wider field of view,
And every tide that’s come and gone
Has brought a boon unlooked-for through the dawn.
I didn’t know the world’s made new
When part of me is tied to part of you.
This poem focuses on how we can start to see things in new and different ways when we connect with other people, as we begin to understand how they see the world. What's become ordinary to us may appear in a new light if we're able to perceive it from someone else's perspective.
The dark descent the dove goes down
To come and claim his coveted crown
Transforms the flow of folly and fear
To hope for heaven’s harmony here.
We trace his trial to a trembling tree
And think, with thunder’s throes at three:
Would sorrow’s storms and struggles cease
If people prized his path of peace?
I've been traveling a lot over the past several weeks and am now starting to settle back into a rhythm of writing. This one definitely seemed appropriate for Easter. As with many of my poems, I didn't start out with this theme in mind - I was more focused on trying to see how much alliteration I could pack into every line (and apparently the answer was quite a bit). Eventually, the Easter theme (maybe more precisely, the Good Friday theme) started to take shape.
What are you thinking?
Can I ever truly know?
Even if you tell me,
What unnamed thoughts remain below,
Beneath the threshold words express?
And so, your thoughts stay foreign,
Unless somehow our minds extend
Beyond the borders of ourselves, to blend.
This poem explores the extent to which we can truly know and understand one another. Being aware of all the random thoughts that occur within my own mind, it's difficult to see how we could ever arrive at a similar level of awareness regarding the thoughts of others. If we're not able to do that, is it possible to ever truly know someone as we know ourselves? I don't know, but the poem ends with the hope that it is possible, because perhaps, somehow, our minds go beyond what we can rationally perceive or quantify within the physical confines of our own heads - extending into other places where they can truly come into contact.
When golden flowers fall
And silver stems decay,
Their leaves of jade go floating
Where all things pass away,
For riches may enthrall,
May glitter for a time,
But never will their treasured note
Outlast the final chime.
This poem makes the point that, even though material riches may seem a bit more long-lasting than a flower's quick decaying, they still diminish over time. They are ephemeral, just like anything else in this life, and when our lives do come to a close, those riches will be lost to us completely. Personally, this idea makes me think that the world should focus a bit less on money and markets and prices, and a bit more on other things.
Every once in a while
I wonder why
The sky seems to open in reply
To something feeling broken
Within the little world I see.
Despair awoken
By pain unspoken,
The sunset streaks the clouds and comforts me.
As I've mentioned before, I have a nice balcony where I like to sit and read, especially on the weekends. Almost always, sitting out there gives me an immediate sense of calm as I look out over the buildings and distant hills, particularly when the sun is setting. Sun's rays emerge through clouds and paint pale pinks and purples across the western sky. It helps me to remember the majesty of the world, bigger than any small difficulties I might be facing.
Listen to the music.
Find what notes to add
In consonance or dissonance
With joyful melodies or sad,
But cadences are always
Left somewhat incomplete.
The phrases stretch beyond ourselves
In measures we will never meet.
I often think in musical terms, and this poem focuses on using a musical metaphor to reflect our lives. It makes the point that our choices and actions (the notes we add) contribute something to the overall harmony of the world, or clash with it. It also points out that, while our part in the symphony will end, the music will continue on - hopefully enriched in some way by what we offered.
He told me it’s his and showed me in print
The title, signed, with a golden seal’s glint.
Then a gust tore the paper away from his hand.
It fluttered, a leaf on the wind, to land
On the soft forest floor, where it nourished the trees
And surrendered its words to the voice of the breeze.
“Who owns the forest?” I asked of the sky.
“All and none,” came a whispered reply.
The idea for this poem came when I was watching a video that mentioned someone owning a forest. While I realize this probably isn't all that uncommon, it struck me as odd. I know some may not agree with this way of thinking, but I have trouble seeing a forest as simply property to own, with all of its life and complex, interconnected processes that defy and surpass our control. Its cycles contribute to the lives of all - human, animal, plant - so all have a stake in its continued thriving, and none can stake an individual claim.
I struggle to identify
A theme that’s new, untried, and unexpected.
I wonder if my writing
Has now exhausted all my heart’s collected.
Should this be so, I’d pause to cry
But then begin again to pen a rhyme,
For here my mind keeps fighting
To understand my place in space and time.
The words have been coming somewhat slowly recently, as I've been trying to write poems. When this happens, I sometimes wonder if I've just run out of ideas, or run out of whatever creative writing ability I had before. Buy eventually I realize that, even if that were the case, I would still need to keep trying, because this has become one of the ways I process things - one of the ways I try to understand my place in all that happens.