Tuesday, February 4, 2014

Changing Perspectives 2 - Night and Day



This is the second installment of my little “Changing Perspectives” series.  If you read the first post, you know that I talked a little bit about common connotations of the words “black” and “white”, and how those connotations might be harmful.  The topic for this post, “Night and Day” (mainly focusing on the “Night” part), certainly sounds very similar, but, while I think its starting place has parallels with the previous post, it ends up moving off in quite a different direction…

            Now it is the time of night
            That the graves, all gaping wide,
            Every one lets forth its sprite,
            In the church-way paths to glide

                                                 - Robin Goodfellow (aka Puck)
   A Midsummer Night’s Dream, by William Shakespeare

I counsel you by way of caution to forbear from crossing the moor in those dark hours when the powers of evil are exalted.

 - Sir Hugo Baskerville, in a letter to his sons
   from The Hound of the Baskervilles, by Sir Arthur Conan Doyle

I had an interesting relationship with the night when I was a little kid.  I remember trying, however I could, to figure out ways of pushing back the inevitable end of each day known as “bedtime”.  To this day, I continue to stay awake deep into the night (and the early hours of the morning).  But, I remember a few instances during my early years when I was seriously afraid of the dark, afraid of being alone in my bedroom, afraid to close my eyes.  This usually occurred after watching a particularly scary movie (for example, when I was very young, I’m pretty sure I thought Ghostbusters II was really creepy – only years later did I realize that it’s supposed to be funny, when I started actually listening to the dialog and not focusing all my attention on that creepy picture of a very angry-looking medieval guy).  Anyway, during those times, I remember buying into the whole idea that night was the realm of scary things, of demons, goblins, ghosts, and gremlins, and that the morning sun would send all of these evil beasts running for cover and wash away our fears.

Why does the night get this less-than-savory reputation?  Why are the powers of evil supposedly exalted during these dark hours?  My guess is that it has something to do with our difficulty seeing at night.  Without that huge light bulb shining above in the sky, our vision becomes pretty limited.  Even on clear nights, with a full moon, we lose quite a bit of the depth of that particular sense.  The myriad colors of our waking world fade into varying shades of gray, and objects that would be simple to identify during daylight can appear distorted, and potentially ominous.  Perhaps the night brings to light a subtle fear of the unknown.  “I’m not completely sure what that tall, dark object is over there, and I have to say that I’m a little afraid of it.  Perhaps it’s just a tree, swaying in the breeze, or perhaps it’s something a bit more sinister…”  We’re not sure what’s out there, what’s coming, what’s up ahead, and that uncertainty can be a little frightening.

And yet, for the most part, I experience the night as something beautifully different than the day, as something that feels almost magical.  Indeed, literature does not only highlight the seemingly evil aspects of the evening.  Some works are much more balanced in their portrayal of the magic that takes place in the darkness.  Take those poetic lines from A Midsummer Night’s Dream, which began this post.  The lines that immediately follow put different magical creatures on display, ones who are a bit more benevolent (although, if you know the play, they also enjoy jokes at others’ expense from time to time…)

            And we fairies, that do run
            By the triple Hecate’s team
            From the presence of the sun,
            Following darkness like a dream,
            Now are frolic; not a mouse
            Shall disturb this hallow’d house

When I say that night is almost magical, it’s important to know that I’m not referring to the nightlife one might experience in a big city.  I’m talking about night out in the country, when the world goes to sleep, when I feel the cool, refreshing evening breeze blowing across my face and through the leaves on nearby trees, when I hear the ensemble of insects and other night-time creatures serenading the darkness, when I smell the grass beneath my feet, the grass that, perhaps, seems a bit more welcoming at this hour, when the sun is gone and the warmth of another life is close at hand.  (Admittedly, it’s probably much easier to enjoy the night and feel its beauty when one lives in a place where every night throughout the year is basically a midsummer night.)  It’s true that our sense of sight is hindered during these hours, but our other senses can become heightened as we accept that fact.  The past few nights, I have sat on the floor in silence, with my eyes closed, and have marveled at the music all around me, music that often goes unnoticed when other thoughts, and other sights, are flying through my mind.

But our sight is not completely gone.  Perhaps the most beautiful part of the night, for me, is the starry sky above.  I also like looking at the moon, but sometimes I prefer the nights when the moon does not make an appearance, when the only lights in the sky are those distant suns, burning billions of miles away.  Some nights in Kalisizo, especially when the power is off, I can look up in the sky and see, in between the bright stars that I recognize, faint ones that I never even knew existed.  This little experience reminds me that, beyond these visible lights, there are millions more out there somewhere in the vast expanse.  Stars lead us to remember the grandeur of the universe, and they help us to recognize that this place we occupy is only an incredibly small corner of an infinitely larger existence.  Stars might even suggest to us our own seeming insignificance in this great cosmic reality, and yet, they might also help us to realize our potential to be more than what we are.

When I stand outside and lift my eyes to the sky, I feel, and I would guess that many of us feel, drawn to the stars.  For some of us, that draw might be related to scientific exploration and discovery, and, for some of us, it might be related to philosophical contemplation.  In any case, I think it always connects to an innate desire to know more about ourselves, to learn more about our place in the universe, and perhaps it even relates to an existential connection with the stars themselves.  In other words, by knowing more about those stars and what they are, we might be able to learn something about ourselves.

Several people have made the point that we are more closely related to stars than we might at first think.  If we look at the sun, and then look at a person, it’s pretty easy to tell that they are very different things, right?  Well, if we look at it from a different perspective, we find that we can actually trace our origins back to the stars.  (Don’t worry, I’m not about to go off into one of those theories about aliens coming to Earth and “planting” us here.)  Here’s a short excerpt from a book called The Last Hours of Ancient Sunlight, by Thom Hartmann:

“This is where all the matter of our world (except hydrogen) came from: it was created in the heart of a star.  Not only that, the star had to die for those elements to reach us.”

The point Hartmann makes is that, early on in the life of the universe, we basically had a lot of subatomic particles, which eventually combined into hydrogen atoms.  Those atoms of hydrogen came together, as a result of gravity, to form clouds that eventually collapsed into stars, which are fueled by nuclear fusion.  Nuclear fusion reactions are ones in which smaller atoms (hydrogen) fuse together to create larger atoms (helium).  This type of reaction gives off a ton of energy, which is why the sun is so hot and can supply the earth with so much radiant energy.  Anyway, as stars age, larger and larger atoms are formed (carbon, oxygen, nitrogen, calcium, iron, etc…), and, when a star finally dies, those various elements shoot out to find a new home.  In other words, the building blocks of all life on this planet were born in some distant star, long ago and far away.

So, in the middle of the night, we look up to those stars, and we feel a connection.  We feel that there is more to us, and more to the universe around us, than we can see with our eyes, and we search for that thing which we feel but cannot yet pinpoint.

            We are stardust, we are golden,
            And we’ve got to get ourselves back to the garden

                                                Joni Mitchell, “Woodstock”

I’m planning to go a little deeper into this whole idea of our connection to the stars in my next post.  Tune in next time…

P.S. – In fairness to other viewpoints on the concept of us as stardust, I will say that, in an episode of The West Wing, a NASA scientist is explaining the origin of the elements that make us up and comments, “I guess Joni Mitchell was right.  We are stardust,” to which Josh Lyman replies, “Or, put another way, nuclear waste.”

Tuesday, January 28, 2014

Water Woes



I’ve been thinking about, and starting to work on, the second “installment” of my little “Changing Perspectives” series, which started with my previous post.  But, seeing as those posts are going to be fairly serious (and because they take a lot of thought and a little bit of research), I decided that it might be nice to alternate those more intense posts with some lighter stuff.  So, this not-so-intense post is simply about something that happened yesterday…

Yesterday morning, Max (my counterpart) and I were walking to a really nice hotel, where Marc, the director of our organization, was staying.  He had flown in the night before, and will be in Uganda for this week, before heading to Rwanda on Saturday.  Anyway, we were walking from the hotel where we had stayed the night before, towards the (much nicer) hotel where we would meet Marc.  My water bottle had run dry earlier that morning before leaving, so I was keeping a sharp eye out for a nice-looking gas station.  You can usually trust that the nice-looking gas stations will have a shop that sells some decent varieties of bottled water.  I found one without too much trouble, and I went in and bought two big bottles of water (1.5 liters each, or about 6 cups, for those who don’t like the metric system), one for me and one for Max.  We continued our walk.

It was a warm morning, and, by the time we reached our target hotel, I had already sucked about a cup of water out of my bottle.  Max’s remained sealed, sitting in one of the side pockets on his backpack.  This is nothing new.  When we’re sitting in our office in Kalisizo, I usually go through almost an entire water bottle during the day, while Max usually doesn’t have anything to drink, except maybe a small cup after lunch.  Getting back on track, it was a long walk, and we finally made it to the hotel about five minutes before Marc expected us.  Security at these nice hotels is pretty intense, unexpectedly so if you’re used to simply walking into a hotel without stopping in the USA.  At the front gate, we take off our backpacks and empty our pockets, and we pass through a metal detector (which may or may not work…it’s a toss-up).  Security guards go through the pockets in our bags, and then, if the metal detector squeaks out a sound as we pass through, one of the guards uses one of those metal-detecting wand things to recheck us.  If I have already put stuff, like my big set of metal keys, back in my pockets, the wand might beep when it passes over those pockets (emphasis on "might").  Sometimes, the guards have me re-empty that pocket, but, other times, it’s just assumed that, well, there’s probably not anything harmful in there…  At this first security checkpoint, no one says anything about our water bottles, and we move on without incident.

We cross the small parking lot, and almost make it into the lobby.  But, wait, there’s another security checkpoint that looks exactly the same as the first one.  We go through the same procedure.  The backpacks come off, the pockets are emptied, the potentially faulty metal detector is passed through, the pockets are filled, the second guard at the end decides that I need to be wanded and goes through that process, the backpack returns to its place on my back, and I pick up my water bottle.  But then, the second guard asks me, “Are you staying at this hotel?”

“No, we are just here to meet someone,” I reply foolishly.

“Oh, then we do not allow you to bring in outside water bottles,” the guard states.

Somewhat agitated by this unfortunate turn of events, I attempt to win over the guard with some impressive logic.

“My friend,” I begin, “it is very hot out today, and I am very thirsty.  I need this water.”

But he parries this statement with the following: “It’s okay. We have water here that you can buy.”

Ah, but I know how much this water is going to cost.  “But the water here is very expensive.”  Indeed, the water at this hotel is likely to cost at least twice as much as the water I bought from the shop at the gas station.  In the grand scheme of things, it’s not a gargantuan sum of money, but it’s the principle of the thing…

Meanwhile, behind me, Max is having a similar conversation with the first guard.

“You cannot bring in this water bottle.  It is not allowed,” says this first guard.

“Oh, but it is still sealed,” retorts Max, “So it is okay.”  Hmm, an interesting maneuver…one that I did not have the luxury of making.  Let’s see if it works.

“No,” the first guard maintains, “Maybe you can put it in your car and then come back.”

Now, I jump in to this conversation.  “We do not have a car.  We walked here.”  There is quite a bit of additional, implied meaning behind this simple-seeming statement.  As I say it, in my head, I am thinking, “Yes, we walked for over a half an hour in the hot sun to get here.  We did not want to spend money on a taxi.  Last night, we stayed at a hotel where the toilets do not have seats, where the hot water does not work, where the light in the bathroom does not work, where the steps are so uneven that I trip every time I climb them to get to my room, where the only thing available for dinner is goat meat with rice and matooke.  In a nutshell, we do not have as much money as the people who normally walk into your hotel, with your gardens, and your swimming pool, and your conference rooms, and your full breakfast spread, and your automatic shoe shine machines (I was marveling at these after we eventually made it inside).  So, I’m not going to pay an outrageous price for a bottle of water if I already have some water.”

“Well,” the first guard replies as these thoughts rumble through my head, “you will have to dump the water out.”

Oh, that did it.  That was a mistake.  She shouldn’t have said that.  She doesn’t know what I do; she doesn’t know the reason I’m here.  “No,” I say with significantly more force, “We are NOT dumping out our bottles.  We are NOT wasting all of this water.”

I am about to continue my sermon on the importance of not wasting water, when the second guard says, “Ah, but it is not allowed.”  And then he concedes, “Okay, don’t drink from it when you’re inside.”  I walk forward at almost a run, adrenaline surging, triumphant.  My message of water conservation and frugality has won the day.  We plop ourselves down on a comfy sofa, I notice the automatic shoe-shining machine, which someone is actually using, and we wait for Marc.

Later that afternoon, we travel to Masaka and stay at a pretty nice hotel.  Not nearly as nice as the one from that morning, but certainly a few cuts above the places where Max and I normally stay.  That night after dinner, I proceed to waste several liters of water taking a long, hot shower…

Endnote: In retrospect, I have to say that I do feel pretty bad about steamrolling over the security guards like that.  They were just trying to do their jobs and follow the rules set down by the hotel.  It’s not their fault that I don’t agree with the hotel’s policy.  In fact, they probably do understand the importance of each drop of water.  Security guards in Uganda are, in general, not paid well at all (I think the average salary across the country is something like $40 per month, although at a nice place like this one, it’s probably significantly higher than that), so maybe they can’t afford to waste anything at their homes.  Indeed, as I was taking that nice shower later, I felt the sting of hypocrisy and realized that sometimes I am part of the problem as well.  If I ever see those guards again, I should probably apologize to them…

Thursday, January 16, 2014

Changing Perspectives 1 – Rethinking Black and White



In an effort to post blogs on a more regular basis, I’m going to try something a bit different.  I’ve got a fairly broad theme in mind – trying to look at the world from fresh perspectives, ones that might challenge or call into question ideas that we think of as “normal” or that we take for granted – and I’d like to explore it through several specific subtopics.  As you can probably tell from the title, I’m calling the overall theme “Changing Perspectives,” and the first subtopic I have in mind considers the connotations of the colors black and white.

“He saw things in black and white.”  This expression, in one form or another, is fairly commonplace, and the expression itself might seem relatively harmless.  It’s often just a figurative way of saying that someone places things in strict categories of right and wrong, or of good and evil.  The symbolic use of the words “white” and “black,” or, in some cases, “light” and “darkness,” in place of “good” and “evil” can be seen all over the place.  Just think of one of the passages that Christians read every Christmas Eve, as candles shine in darkened sanctuaries: “In him was life, and the life was the light of men.  The light shines in the darkness, and the darkness has not overcome it” (John 1:4-5).  Think of all the books and movies in which the struggle of good and evil is portrayed as a battle between light and dark.  In The Lord of the Rings, for example, we have the black orcs, the black gates, and the black towers of Sauron pitted against the white city, the white horses, the white clothes, and the white hair of figures such as Gandalf and Galadriel.  Is this simply a harmless way to add a splash of color to epic conflicts of good and evil, or could the use of these shades have potentially dangerous consequences?

The sentence at the beginning of the preceding paragraph was taken from a book entitled Things Fall Apart, written by Chinua Achebe, a Nigerian author who died last year.  Things Fall Apart was Achebe’s first novel, and most of it chronicles village life in his home area, before the influences of colonialism.  Near the end of the story, however, white missionaries come into the picture, along with colonial officials, and some things, well, start to fall apart.  A major cause of the problem stems from the fact that the colonizers saw their ideas as “right”, or perhaps “civilized”, while the native people were seen as “uncivilized”, and possibly even “savage”.

In one of the last chapters, Achebe describes the mindset of a white district commissioner using the figures of speech that we see as commonplace, and, in doing so, he shows how such language can be dangerous: “He saw things as black and white.  And black was evil.  He saw the world as a battlefield in which the children of light were locked in mortal conflict with the sons of darkness.”  In this context, it becomes obvious that the expression “the children of light” refers to the white colonizers, while the phrase “the sons of darkness” corresponds to the Africans.  As we all know, this view of superiority, reinforced by our use of certain figurative language, lasted for many, many years, and it has caused terrible pain in the lives of so many.  Its effects are still seen today.

In The Economist’s obituary about Chinua Achebe, one of the Nigerian author’s essays was discussed as a way to highlight his impact on literature, and on worldwide perspectives.  The essay focused on Joseph Conrad, the author of the book Heart of Darkness:

“The real question,” [Achebe] wrote, “is the dehumanisation of Africa and Africans which [an] age-long attitude has fostered and continues to foster in the world.”  Re-reading “Heart of Darkness,” he explained, it became clear that he would never be on Marlow’s boat steaming up the Congo. He was one of the Africans Conrad described jumping up and down on the river bank, pulling faces. He realised how wrong it was – “terribly, terribly wrong” – to portray his people, any people, from that superior floating-past point of view. His essay changed Conrad’s place in English literature.

For a white person, like myself, it’s easy to look at expressions that use “white”/“light” and “black”/“dark” to represent “good” and “evil” and to see only a colorful figure of speech.  The idea of skin color might not cross my mind at all.  But, for someone whose skin is a darker shade, the expression might conjure up a long history of perceived inferiority and exploitation at the hands of the supposed “children of light”.  How does it feel for the color of one’s skin to be associated with one of the most common metaphors, if not the most common metaphor, for evil?  Personally, I don’t know, but some people just might.  Maybe we should think about adjusting some expressions…

P.S. – For the full article about Chinua Achebe in The Economist, click here:

P.P.S. – I love The Lord of the Rings.  It’s just the first example of white vs. black that came to mind…